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SAD Gallery Productions - ADAM WOLSTENHOLME

Pewter Plastic Cup

Pewter Plastic Cup

Regular price £38.00
Regular price Sale price £38.00
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11 in stock

The second instalment to Adam Wolstenholme's 'Throwaways' series - the Pewter Plastic Cup. Designed in 2026 as an ode to the classic water cooler style plastic cup and his favourite metal alloy: pewter.

The Story

The ‘Pewter Plastic Cup’ is the second addition to Adam's ’Throwaways’ series which began in 2022 with the ‘Polybloc Chair‘. He has taken a tongue-in-cheek approach to designing this collection that aims to challenge our interactions with design-to-discard everyday objects that are often overlooked. Naturally, he has become quite fond of these plastic products over the years. However, this project is not only fuelled by simple nostalgia, but also frustration from bad-faith copying that is rife in the design industry. Naturally, no Pewter Plastic Cups are machine-perfect copies, therefore individually unique. Please read 'The Materials' for more details.

The touchmarks to the underside have the following meanings:

AW - Adam Wolstenholme, a monogram copied from a wax stamp passed down to him from his Granny's Father, Albert Whitcher.

ARW - Arthur Richard Wentworth, who founded A.R. Wentworth in 1949.

92 - The minimum percentage of tin present in the pewter.

EPU - Wentworth's European Pewter Union membership.

ABPC - Association of British Pewter Craftsmen.

Arrows - Two sheaves of arrows, part of the City of Sheffield's coat of arms.

9oz - The cup capacity, jokingly copied from the mark you'll find on every plastic version of this size.

The Materials

100% lead-free and food-safe pewter. Hand washing recommended. Please note that the finish is as-machined, any scratches/marks/patina being left untouched - please read 'The Maker' for more details.

The Maker

For a metal, modern pewter is exceptionally soft despite being 100% lead-free and will patinate beautifully over time. For this reason, these pieces are provided hand-washed but not polished or buffed. You are encouraged to use these as rigorously as you like, to see little dents and scratches appear naturally. Any existing marks from the incredible Victorian-era machines and hand tools used to produce these are kept fully on show to celebrate the craft that has been passed down over generations. Brian, who has over 55 years of experience metal spinning for A. R. Wentworth, is solely responsible for every single tactile groove you see and touch, as well as that crucial rolled edge.

Adam is always proud to showcase exactly where his designs are made, being of the belief that gatekeeping traditional craftspeople will only continue to contribute to the demise of British manufacturing. All Wentworth touchmarks can be seen engraved to the underside of each cup that is made, so that you always have the reminder of the skill, knowledge and history that makes up a part of every piece.

DIMENSIONS: Capacity: 9oz / Height: 9.8cm / Top Diameter: 8cm / Base Diameter: 4.7cm

LEAD TIME: In stock (Note: for large orders, please get in touch for a dedicated production quote. 100+ cups can be produced in a matter of weeks, for example)

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About the designer..

Adam Wolstenholme is a First Class BA Product Design graduate, hailing from the East Midlands. After exhibiting at New Designers in 2022, he is now a full-time product developer and production manager for the renowned Pimlico antiques dealership and manufacturer of fine furniture, Howe London.

"As a designer, I find it extremely important to not take myself too seriously and wouldn't say I'm alligned with any particular design 'movement' or style. My Throwaways series, for example, is not only an obvious commentary on design-to-discard objects but also a bit of a tongue-in-cheek jab at bad-faith copying that is absolutely rife in the industry, whether it's dodgy import or high-end. I'm not trying to solve those issues directly either, but rather start no-nonsense conversations around our 'consumer' (a term that I happen to loathe) behaviours.

People who know me well would also tell you that I can be quite fierce in my defence of local skills, generational knowledge, traditional craft and British industry as a whole. I always provide complete transparency about where everything I design is made, and share exactly who was responsible. With an industry in crisis, why gate-keep the makers when we can collectively innovate?

My life mission is to rejuvenate traditional British manufacturing, one workshop at a time"

As the sole director of SAD Gallery, Adam aims to expand not only the antiques collection but also introduce more of his own designs, as well as represent a collective of designers in the SAD Gallery Productions range.