SAD Gallery Productions - ADAM WOLSTENHOLME
Polybloc Chair
Polybloc Chair
Available made to order - make an enquiry
The visually striking solid ash and plywood 'Polybloc' chair. Designed by Adam Wolstenholme in 2022 as an elegant ode to the most widely produced chair on the planet, forming the first instalment of his ongoing 'Throwaways' series.
The Story
The Story
Fuelled by a tongue-in-cheek fascination with design-to-discard everyday objects and the vivid memories associated with them, the modern archetype of choice here is the humble, cheap, mass-produced and perplexing plastic garden chair - the 'Monobloc'.
Wander any street in the world and they'll be there; broken, repaired, brand new, poking out of a skip, floating down a canal, or gathered around a table of a high-rise balcony. Tearing one apart to form an exploded view sculpture piece, Adam knew each of the elements needed to craft a joined (poly) dining chair inspired by its plastic counterpart, using 100% British grown ash. You'll see parallels in the sweeping steam bent armrest, unsupported by back legs, and lightweight sculptural back/seat.
The Materials
The Materials
Natural solid ash, plywood and ash veneer.
The Maker
The Maker
SAD Gallery works exclusively with local craftspeople to produce our designs including the Polybloc chair, which is made to order in Kent by a highly skilled and experienced craftsperson - Alistair Minus.
DIMENSIONS: Height: 75cm / Width: 52cm / Depth: 50cm / Seat Height: 44cm / Armrest Height: 65cm
PRICE: £1,750 (Note: as these pieces are made to order, price is reduced for sets. Please get in touch for details)
LEAD TIME: 6 weeks
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About the designer..
Adam Wolstenholme is a First Class BA Product Design graduate, hailing from the East Midlands. After exhibiting at New Designers in 2022, he is now a full-time product developer and production manager for the renowned Pimlico antiques dealership and manufacturer of fine furniture, Howe London.
"As a designer, I find it extremely important to not take myself too seriously and wouldn't say I'm alligned with any particular design 'movement' or style. My Throwaways series, for example, is not only an obvious commentary on design-to-discard objects but also a bit of a tongue-in-cheek jab at bad-faith copying that is absolutely rife in the industry, whether it's dodgy import or high-end. I'm not trying to solve those issues directly either, but rather start no-nonsense conversations around our 'consumer' behaviours (a word that I happen to loathe)
People who know me well would also tell you that I can be quite fierce in my defence of local skills, generational knowledge, traditional craft and British industry as a whole. I always provide complete transparency about where everything I design is made, and share exactly who was responsible. With an industry in crisis, why gate-keep the makers when we can collectively innovate?
My life mission is to rejuvenate traditional British manufacturing, one workshop at a time"
As the sole directer of SAD Gallery, Adam aims to expand not only the antiques collection but also introduce more of his own designs, as well as represent a collective of designers in the SAD Gallery Productions range.